When it comes to your studio recordings, you want honesty. In fact, considering how important your art is, you should demand it! That’s why Behringer designed the new B3030A and B3031A Reference Monitors to speak nothing but the TRUTH. Oh, they still sound great hooked up to your stereo or your video surround system, but they were really built with the studio in mind — where every note you play or sing is "under the microscope."
Behringer's TRUTH B2030A and B2031A monitors have been so wildly successful that Behringer sold thousands upon thousands of them to some of the most critical ears on the planet. So, from the moment Behringer started this project, they knew these new speakers would have to be something really special, and indeed they are!
For the past two years thei Research and Development team has been on a mission to create the “perfect” studio monitor. Since the TRUTH B2031A had already become the industry standard, their acoustic engineers decided to start there and see just how far they could push the envelope. They tried a variety of transducers and enclosure designs, along with existing and emerging technologies. When all the dust settled, they chose to deploy an ultra-high resolution, 2" velocity ribbon transducer and a long-throw, Kevlar-coned woofer in a deformation-resistant, die-cast aluminum chassis.
Kevlar has an incredible strength-to-weight ratio — that’s one reason it’s used in bulletproof vests. Kevlar gives the LF transducer the strength to handle the extremely high energy levels required for distortion-free, chest-pounding bass. And since they have such low mass, Kevlar speaker cones also respond much more quickly than those made of paper, important for not only maintaining bass content integrity, but critical for midrange accuracy and definition. Behringer Kevlar transducers reproduce even the subtlest nuance of the low-frequency realm without muddying the midrange.
Ribbon tweeters bring a level of accuracy and sophistication to high-resolution studio monitors that was previously unattainable. They provide exceptionally wide horizontal dispersion (for a larger “sweet spot”), while holding the vertical dispersion extremely tight. And since the ribbon transducer diaphragm is virtually weightless, it reacts instantaneously to changes in the high-frequency content. Now, not only do you hear the dulcet tones of a flute, you hear the breath flowing through it... You hear the wind chimes bouncing off each other... You can hear the fingernails on the nylon strings of a classical guitar…
Another reason why ribbon tweeters are so supremely accurate is their ability to reproduce frequencies far above our normal hearing range. Even though we can’t hear these “ultrasonics,” the lower harmonics they generate do affect the way we experience the stereo image. For instance, a 30 kHz signal is too high for us to hear, but we can hear its first sub-harmonic (15 kHz), second sub-harmonic (7.5 kHz), and third (3.75 kHz), etc. All these sub-harmonics combine with the primary sound to create stunning realism.
It takes quite a bit more than just a “bulletproof” woofer and a high-tech ribbon tweeter stuck inside a fancy box to make a studio monitor of this class. It also takes power — and lots of it! But even more importantly, that power has to be matched to the individual high and low-frequency tranducers. While some of Behringer's competitors are content to stick whatever speakers they have on the shelf into haphazardly designed boxes and then strap on a one-size-fits-all amplifier package, Behringer builds every single component from the ground up. They pack 225-Watts of bi-amped technology (including a time- and phase-corrected active crossover) into every B3031A (110-Watts for B3030A), ensuring that you have the enormous power reserves you’ll need to drive them really hard.
While some of their competitor’s studio monitors have a highly focused “sweet spot” (the optimal listening position for a pair of loudspeakers), their wave-guide is designed to create a much more generous, broader listening zone. That means you won’t wear a hole in the carpet in that one spot where everything sounds great.
You are free to move around inside the stereo image to find the ideal spot in the mix for subtle instrument or effects placement opportunities. You also won’t suffer the ravages of “monitor fatigue-syndrome,” an ailment that comes from listening to harsh high mids and treble content for hours on end. The new 2" velocity ribbon transducer, along with our proprietary wave-guide design, generates silky-smooth high-end that is non-fatiguing, even during those all-night mix-down sessions that can test your nerves.
They could bore you to tears with all the technical jargon (if you really like that stuff, there’s a special treat at the end), but hearing the TRUTH will make you a believer. From the “bulletproof” bass of its Kevlar woofer to the silky top-end of its ribbon transducer, Behringer thinks you’ll agree that nothing in this class outperforms the B3030A and B3031A monitors. Compare them to the competition and own BEHRINGER!
- Ultra-linear frequency response with individual frequency diagrams
- Built-in 285-Watt Bi-amp module with enormous power reserve
- Ultra-high resolution, 2” velocity ribbon transducer for ultimate sound reproduction
- Long-throw 8 ¾" woofer with deformation-resistant Kevlar cone and aluminum die-cast chassis for ultimate bass response
- Controlled dispersion characteristics and extremely large "sweet spot" owing to the unique BEHRINGER wave guide technology
- Active crossover network with 4th order Linkwitz-Riley filters
- Adjustable to a wide range of acoustic conditions and subwoofer operation
- Separately controlled limiter for low and high-frequency overload protection
- Automatic standby mode (defeatable)
- Magnetic shielding allows placement near computer monitors
- Servo-balanced inputs with XLR and ¼" TRS connectors
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
- XLR connector: balanced input
- ¼" TRS: balanced input
- Input impedance: 10 kO
- Input Trim: –6 dB to +6 dB
- Max. input level: +22 dBu
- High-frequency driver: 2" ribbon
- Low-frequency driver: 8 ¾" diameter Kevlar diaphragm
Amplifier Output Power
- RMS @ 0.1 % THD (sine wave): 150 W
- Peak power: 285 W
- Type: Active
- Crossover frequency: 3.6 kHz
- Frequency response: 50 Hz to 24 kHz
- Sound pressure level: max. 116 dB SPL @ 1 m (pair)
- Low Frequency:
- 0 dB @ 60 Hz
- –2 dB @ 60 Hz
- –4 dB @ 60 Hz
- –6 dB @ 60 Hz
- Room Compensation:
- 0 dB @ 300 Hz
- –2 dB @ 300 Hz
- –4 dB @ 300 Hz
- –6 dB @ 300 Hz
- High Frequency:
- +2 dB @ 8 kHz
- 0 dB @ 8 kHz
- –2 dB @ 8 kHz
- –4 dB @ 8 kHz
- 100 - 120 V~, 50/60 Hz: T 5.0 A H 250 V
220 - 230 V~, 50/60 Hz: T 2.5 A H 250 V
- Power consumption: max. 200 W
- Mains connection: Standard IEC connector
- Dimensions (H x W x D):
- 15.8 x 9.8 x 11.4"
- 400 x 250 x 290 mm
- Weight: 33 lbs / 15 kg